GOSPEL MUSIC IS THE ROOTS?

The late great Willie Dixon once said “The Blues is the roots, everything else is the fruits”.  While it might be taboo to disagree with a musical legend like Dixon (especially while he was alive as he was also a 300-lbs boxer), I must respectfully do so.  In my personal opinion, it is Gospel and spiritual music that we have to credit with being the musical tree that provided us with all other forms of popular music.
While popular music may have evolved further and further away from it’s roots in Gospel and spiritual music over the years you can still hear the genre’s influence in some of today’s popular music.  Example, when you listen to artists like Beyonce’, Childish Gambino, and Bruno Mars you can definitely hear that somewhere along the way they were influenced, maybe indirectly, by artists like James Brown, Aretha Franklin, and Ray Charles.  James, Aretha, and Ray were all influenced heavily by Gospel music.  Aretha grew up in the in the church, Ray took a song by the little known gospel group The Southern Tones and turned it into “I Got A Women”, and Mr. Brown’s stage show was basically a secular version of a baptist revival. Same with Country music. You’d be hard pressed to find a country artist today that wasn’t inspired by Johnny Cash, Dolly Parton, or George Jones in some way.  Each of those artists recorded several gospel albums over their long and impressive careers.  Rock music? Same thing.  Most modern rock bands in some way have been inspired by artists like The Beatles, Stones, Zeppelin, etc. Those artists listened to the Blues and Blues came from Gospel and spiritual music. We could talk about how Jamaican Reggae and Ska musicians listened to Blues, R&B, and Gospel music in the 1950’s over radio waves they picked up from America, but my feeling is you’re getting my point. The roots of most genres of popular music begin in Gospel and spiritual music.
Now, while one might enjoy the melodies in Gospel music there still might be a hang up when it comes to the lyrics.  I totally understand that.  Personally I am not a religious person and identify more as an atheist. Still, I LOVE classic gospel and spiritual music!  I love the passion in the music and the wonderful melodies.  Also, I appreciate how Gospel music has helped a lot of folks through some very rough times in history.  So while I may not have all the same beliefs as the person singing the music I am still able to enjoy the music.
Here are some of my favorite Gospel albums and artists that I hope you’ll check out.
STAPLE SINGERS
FREEDOM HIGHWAY epic records
 While a live album of the same name was released in 1965 (which is also excellent) this record is compiled of studio versions of Gospel classics such as “Will The Circle Be Unbroken”, “Nobody’s Fault But Mine”, and “Wade In The Water”.  The record also features probably the best song band leader Roebuck “Pops” Staples ever wrote, “Why Am I Treated So Bad?”. Pops wrote the song after watching the events surrounding “The Little Rock Nine” unfold on television.  The song became a hit not only for the Staple Singers but also an anthem of the Civil Rights movement during the 1960’s.
BROTHER JOHN SELLERS
BAPTISTS SHOUTS & GOSPEL SONGS smithsonian folkways recordings
Born in Mississippi in 1924, Brother John Sellers was one of the best (and most underrated) Blues/Gospel singers ever to record. His larger-then-life voice is best showcased here on his 1959 album BAPTISTS SHOUTS & GOSPEL SONGSSellers was discovered by the great Mahalia Jackson when he was a youngster performing in local gospel showcases.  As an adult he became an in-demand entertainer performing all over the world with legends like Big Bill Broonzy, Sonny Terry, Jo Jones, and Jackson herself. He passed away from diabetes related complications in 1999.
MAHALIA JACKSON:
MAHALIA! SINGS GOSPEL RIGHT OUT OF THE CHURCH columbia records
During Mahalia Jackson’s impressive career she introduced millions of music lovers all over the world to Gospel music. She inspired artists such as James Brown, Sam Cooke, and Aretha Franklin, performed for world leaders, and was a powerful presence in the civil rights movement.  While she has hundreds of recordings my personal favorite is MAHALIA! SINGS GOSPEL RIGHT OUT OF THE CHURCH.  The material is mostly up beat and beautifully recorded. Even though this record came out later in Jackson’s career her voice has never sounded better.
THE DIXIE HUMMINGBIRDS
20th CENTRY MASTERS COLLECTION
MCA Records
Few Gospel vocal groups have been more influential then The Dixie Hummingbirds. During the 1940’s and 50’s (generally referred to as “The Golden Age of Gospel”), they were megastars. They packed arenas, paved the way for future vocal groups like The Temptations and The Four Tops, and sold piles of records.  You can even trace their influence to modern pop groups like Boys II Men and N’Sync.  While the Hummingbirds have many recordings available a great place to start is their “best of” collection “THE DIXIE HUMMINGBIRDS 20th CENTURY MASTERS”. This collection gives you a good overview of their sound and features their Grammy winning hit “Loves Me Like A Rock”.
THE SOUL STIRRERS
JOY IN MY SOUL: THE COMPLETE SAR RECORDINGS
ABKCO Music & Records
The Soul Stirrers were another group that were megastars during the Gospel’s golden age.  While they are best known for being the group that kick-started Sam Cooke’s career in the 1950’s, the group’s origins go back to the mid 1930’s.  With Cooke in the group the Stirrers achieved rockstar-like status and recorded several hits for Specialty Records.  While the group was at their musical best when they were with Cooke, my personal favorite collection of theirs is JOY IN MY SOUL: THE COMPLETE SAR RECORDINGS.  This collection features recordings the group did for Sam Cooke’s own record label SAR Records after he had officially left the group. Many of these recordings were produced by Cooke himself and show that even in their later years the group was one of the very best vocal Gospel groups.
SISTER ROSETTA THARPE
GOSPEL OF THE BLUES
MCA RECORDS

Born in Arkansas in 1915 Sister Rosetta Tharpe influenced Rock and Popular music more then most people know.  A young Little Richard got his start by opening for her before anybody knew who he was. Elvis, Johnny Cash, and Bob Dylan all cite Sister Rosetta as a major influence, and during her heyday she performed for stadium sized crowds all over the world. In short, Sister Rosetta was a rockstar before Rock n’ Roll even existed.

While there are many recordings of Sister Rosetta available a good place to start when wanting to learn more about her music is a collection of her early recordings entitled THE GOSPEL OF THE BLUES.  This collection is complied of tracks recorded 1938 – 1948 and features a dynamite version of her hit “Shout, Sister, Shout”. The record also features a number of her recordings with Lucky Millinder’s Orchestra and the Sammy Price Trio. These tracks show that Sister Rosetta could swing as hard as she could rock!

BETTY HARRIS: THE LOST QUEEN OF NEW ORLEANS SOUL

 Soul Jazz Records 

For fans of James Brown, Irma Thomas, Tina Turner, and The Meters

When you think of the greatest Soul singers of all time you probably don’t think of the name Betty Harris. Despite being as talented as superstars like Tina Turner and Etta James, Ms. Harris isn’t a household name. During the 1960’s she only released a handful of singles and only a few of those became hits. She then retired in 1970 to focus on her family. While her music has become very popular among Soul record collectors and aficionados over the years, it has never reached a mass audience. Fortunately the good folks at Soul Jazz Records are trying to change that with their recent release, BETTY HARRIS: THE LOST QUEEN OF NEW ORLEANS SOUL!

THE BEGINNING

Born in Orlando FL, in 1941 (or possibly 1939) Ms. Harris started out singing gospel music when she was very young. Part of a very religious family, Harris wasn’t allowed to sing secular music while under her parent’s roof. She left home in her late teens to perform Blues and Soul music in California. After several years on the West Coast she moved to New York City where she hooked up with songwriter/producer Bert Berns. In 1963 she recorded her first hit, “Cry To Me”, a slow rendition of a tune singer Solomon Burke had recorded a year earlier. The song became a big hit for Harris and actually surpassed Burke’s original recording on the national charts! The success of “Cry To Me” inspired a few more releases from the Berns/Harris team including a fiery number called “Mo Jo Hannah”. Unfortunately none of these other recordings because hits and Burns and Harris went their separate ways.

WORKING WITH ALLEN TOUSSAINT

Shortly after her relationship with Burt Berns ended Harris met master Musican/Songwriter Allen Toussaint and began recording for his New Orleans based record label Sansu. Even though only one of the singles she recorded for Sansu charted nationally, the recordings she made while at the label are classic and make up the material on BETTY HARRIS: THE LOST QUEEN OF NEW ORLEANS SOUL. The music on this compilation is all killer-no-filler and ranges from classic R&B to HARD FUNK ! Songs like “There’s A Break In Every Road” and “12 Red Roses” are so funky you can smell ’em and the balled “Lonely Hearts” is greasier then a plate of food from a Louisiana Bayou Fish Fry! While it’s Harris’ larger-then-life vocals that command the most attention on these songs we must also note that the backing band is made up of some of New Orleans’ finest musicians, including the legendary Funk group, The Meters. Like the Funk Brothers at Motown or Booker T. & The MG’s at STAX, The Meters are as important to the recording as the artist they are supporting. Finally, we must acknowledge that none of these recordings would’ve been possible without master musician/producer Allen Toussiant behind the board. Not only do his talents as a producer take these recordings to another level, he also wrote all of these songs!

THE BOTTOM LINE

BETTY HARRIS: THE LOST QUEEN OF NEW ORLEANS SOUL is an excellent compilation of Harris’ Sansu recordings. Even though there are other compilations that go a bit deeper into her career this one hits all the main points and is a must have for FUNK loving fans.

 

WILLIAM BELL: THIS IS WHERE I LIVE

William bell

WILLIAM BELL: THIS IS WHERE I LIVE Stax Records/Concord Music Group

Singer William Bell is a national treasure. Besides being one of the few artists still performing today that was with STAX Records in the early 60’s, he also is one of the few artists still performing classic Southern Soul.  His new album THIS IS WHERE I LIVE (Stax/Conord) finds the singer in fine form performing simple but well-crafted songs that draw from a variety of influences. The up-beat “Poison In The Well” could easily be a gospel song if the lyrics were slightly different and the slow-funky groove of “The Three Of Me” calls to mind the sound of urban-funksters The Impressions. The Blues are here too. While the decision to do a updated rendition of his Blues classic “Born Under A Bad Sign” could’ve been a mistake Bell and the band actually deliver! The song is given a complete make-over and is a bit darker sounding then the original. This is a real treat considering that most of the time when artists decide to cover their own music or “update” one of their classics it usually ends up being a step backwards for the song and the artist. Without a doubt, THIS IS WHERE I LIVE is a very welcome addition to William Bell’s already impressive catalog.

A LITTLE HISTORY ON WILLIAM BELL

The Soul Of A Bell

William Bell started out performing in the late 50’s as part of the vocal group The Del-Rios. After a releasing a few singles with the group that failed to catch any major attention, Bell decided to go solo and signed STAX Records in the fall of 1961. His first single for STAX was the gospel-flavored balled “You Don’t Miss Your Water (Until Your Well Runs Dry)”. Released in 1961 the song turned out to be a hit and his career at STAX was off and running. He released various singles for STAX through out the 60’s finding major success again in 1967 when he co-wrote the Blues classic “Born Under A Bad Sigh” for label-mate Albert King. The song was not only a hit for King but it also became a crossover hit when it was recorded by the rock band Cream in 1968. Also in 1967 Bell released his first full-legenth album for STAX, THE SOUL OF A BELL. The album was very successful and yielded the hits “Everybody Loves A Winer” and “Never Like This Before”. Bell’s success continued in 1968 when he released the very popular single “I Forgot To Be Your Lover”.

Bell stayed with STAX until 1975 when the label officially closed it’s doors. STAX Records still exists today but as a brand only. After STAX, Bell went to Mercury Records and scored another hit “Trying To Love You Two”. He continued to release music and perform throughout the 80’s and 90’s but never regained the success he had with STAX durning the 1960’s and 70’s. Still all that being said, his voice has never left him and along with Booker T., Steve Cropper, and Mavis Staples he continues to introduce new audiences to the sound of sweet southern soul music.

 

TAKE ME TO THE RIVER: The Story of The Memphis Music Scene

take-me-to-the-river

TAKE ME TO THE RIVER

Directed by Martin Shore

Social Capital Films (Soundtrack available from Concord Music/STAX)

Few cities have played a bigger role in the development of popular music then the city of Memphis, Tennessee. Artists like B.B. King, Otis Redding, Elivs Presley, and Al Green all came to Memphis looking for opportunities that couldn’t be found in their hometowns. Overtime, artists like these changed the sound of the Memphis scene as well as the sound popular music, but they didn’t do it alone. Just as important as the artists, if not more in some cases, are the produces, songwriters, and label owners who took chances with them. The story of the Memphis music scene can’t be told without including people like Sun Records founder Sam Phillips, STAX A&R man Al Bell, STAX Founders Jim Stewart and Estelle Axton, and producer Willie Mitchell. These people put up money for studio time, did the promotion, produced the sessions, and in some cases even risked their lives for the music they believed in!  It took many different people from different backgrounds to make the Memphis music scene happen. Now thanks to a new documentary from director Martin Shore, the story of the Memphis music scene is finally be told the way it should be told… by the people who lived it.

Part history lesson, part musical tribute, TAKE ME TO THE RIVER not only tells the story of record labels like STAX and Hi-Records but also shows the recording of the movie’s soundtrack. Recorded in Memphis, the album version of TAKE ME TO THE RIVER (Stax/Concord Music Group) showcases legendary Memphis musicians performing alongside younger players who’ve been inspired by the music of Memphis. While not all the duets might be the perfect match up of artists there’s still something very heart warming about music bringing people from different backgrounds together.  One of the album’s the best duets is the pairing of 72 year-old Soul-Shouter Otis Clay and 12 year-old rapper P-nut on the track “Trying To Live My Life Without You”. Originally a hit for Otis in 1972 the song still sounds fresh. Otis is still in great vocal form and the band is right on the money. While some may view the addition of the 12 year-old P-Nut as some sort of gimmick, it’s anything but. P-Nut nails his part and sounds great. Also, you get the sense while watching the film that Otis legitimately enjoys listening to P-nut rap over his tune.

Another standout duet on the album is the match up of Mavis Staples with The North Mississippi All-Stars on “Wish I Had Answered”. Originally recorded by the Staple Singers in 1963, the song was selected by the All-Star’s own Luther Dickinson. Many times for these type of star-studded duet projects you get bands that sound a little flat even though they’re made up of top-notch studio musicians. This is not the case here. The All-Stars are students of American music and along with an outstanding vocal performance by Ms. Staples, they perfectly capture the original spirit of the tune. Pops would be proud.

If the movie has any faults, it’s only that the short lived Goldwax label isn’t mentioned. Producing singers such as James Carr, Spencer Wiggins, and The Ovations, this little label was started by former Sun Records guitarist Quinton Claunch in 1964. Unfortunately due to money issues and to Carr’s mental instability (he was the label’s star performer) the Goldwax was out of business in 1969. Still, during it’s short lifespan it was responsible for some of the most soulful music to ever come out of Memphis. Still, even without the mention of Goldwax TAKE ME TO THE RIVER gives the viewer and excellent in-depth look at the musical history of Memphis, as told by the people that lived it. Here’s hoping both the film and soundtrack inspire a younger generation to discover this music and make music history of their own.

 

MAVIS STAPLES: A Tribute to a living legend

 

Mavis Staples is a living legend.  Over the past 60 years she’s not only brought Gospel music to the masses but she’s also been a voice of hope and strength for those fighting for Civil Rights. Her career started in Chicago during the late 1940’s. Mavis and her siblings would perform in churches alongside their Father, the legendary Roebuck “Pops” Staples.  With a sound was rooted in Southern Gospel and Delta Blues “The Staple Singers” soon became local favorites and in the early 50′s began recording sides for labels like VeeJay, Riverside, and Checker.  In addition to Gospel music fans the band was also embraced by the folk music scene during the folk revival of late 50′s and early 60′s. At this time band also became very active in the civil rights movement and regularly performed at rallies and events hosted by Dr. Martin Luther King. In the late 60′s and early 70′s the music scene was changing and the band changed right along with it. They signed with the legendary STAX Records and under the guidance of STAX’s A&R man Al Bell they started adopting more of a Soul-Gospel style. Their music might have become a little funkier but it still contained the same message of hope and tolerance. Songs like “Respect Yourself“, and “I’ll Take You There” made the band a household name and catapulted them into stardom. Unfortunately, due to some questionable business decisions by Al Bell STAX Records filed for bankruptcy in 1975 and was forced to shutdown.

Over the next several years the Staples put out several releases, none of which had much success. Then in the 1990’s the Staples Family found themselves back in the spotlight.  Pops won a Grammy for his solo record Father, Father and the whole band was inducted into the Rock N’ Roll Hall of Fame in 1999. Sadly this was Pops’ last hurrah as he would pass away in December of 2000 from complications caused by a concussion he suffered while at his home. During the 2000’s Mavis continued to perform and release solo albums. Paired with producers such as Ry Cooder and Wilco’s Jeff Tweedy, these records introduced Mavis to a whole new audience. In 2013 her Jeff Tweedy-produced album You Are Not Alone won a Grammy for “Best Americana Album”.

This year Mavis will turn 75 years young and she’s just as popular as ever. People all over the world still cram into venues to see her perform and she’s a regular musical guest on late-nite TV.  Her music still carries with it a message of hope and tolerance. A message that reminds us that even though there have been victories in the struggle for civil rights, the fight is far from over.

 

STAPLE SINGERS/MAVIS STAPLES SUGGESTED LISTENING

The Staple Singers: Uncloudy Day (VeeJay)

The Staple Singers: Freedom Highway (Epic/Legacy)

The Staple Singers: Be Attitude: Respect Yourself (Stax)

The Staple Singers: The Staple Swingers (Stax)

The Staple Singers: The Best of The Staple Singers (Stax)

Mavis Staples: We’ll Never Turn Back (Anti) produced by Ry Cooder

Mavis Staples: You Are Not Alone (Anti) produced by Jeff Tweedy

Mavis Staples: One True Vine (Anti) produced by Jeff Tweedy

 

LEE FIELDS: Emma Jean

lee-fields-emma-jean

LEE FIELDS & THE EXPRESSIONS EMMA JEAN Truth & Soul Records

For Fans of: Issac Hayes, James Brown, Solomon Burke, and Charles Bradley

This summer Lee Fields & The Expressions are back on the scene with a new record full of sweet soul music!  Entitled Emma Jean in honor of Lee’s late mother, this record finds the band incorporating more elements of Folk and Gospel into their sound more then they have in the past. In fact, the album’s first single is a soulful version of the J.J. Cale tune “Magnolia”. Sounding a little like Solomon Burke, Lee croons his way through this Folk classic with help from pedal-steel guitar master Russ Pahl. While the song is stylistically a little different then songs Lee and his band have done in the past, they still sound great.  That being said, Emma Jean has something for everyone. Fans of classic hard-soul will enjoy songs like “In the Woods” and “Stone Angel” while fans of the teary-eyed ballads will have a new favorite song in “Don’t Leave Me This Way”.  The album’s standout track however is the piano-driven “Eye to Eye”. In this song the band sways back and forth while Lee pleads with his lover to take him back. Singing like his life depends on it, Lee is clearly still at the top of his game. For a guy who’s been releasing music since 1969, this album might be his crowning achievement.

 

 

SONNY KNIGHT & THE LAKERS “I’m Still Here”

SONNY-KNIGHT SONNY KNIGHT AND THE LAKERS: I’M STILL HERE Secret Stash Records

For fans of: James Brown, Otis Clay, Lee Fields, and Dyke & The Blazers

Sonny Knight has been part of the Minnesota music scene for over 50 years. Originally from Jackson, Mississippi, Sonny moved to St. Paul, Minnesota with his family when he was only 7 years old.  In his early teens he became involved with the local doo-wop scene and sang with a number of groups before eventually cutting his first single, “Tears On My Pillow” in 1965.  Unfortunately his musical career had to be put on hold when he got drafted in to the Army and was sent to fight in Vietnam. When Sonny returned home from overseas he was unable to find consistent work as a musician. He ended up taking a full-time job as a truck driver while continuing to sing off and on with different groups during the 70’s and 80’s. Then in 2012 the Minnesota indie-label, Secret Stash Records, released the compilation album Twin Cities Funk & Soul 1964-1979.  To help promote the release, Secret Stash co-founder Eric Foss put together a show featuring some of the artists that appeared on the album. One of these groups was 60’s R&B group The Valdons. As he was currently performing with members of The Valdons, Sonny was asked to participate with the band in their reunion show.  While working to prepare for the show Foss became so impressed with Sonny’s talent that he signed him to Secret Stash and put together a band to back him on a solo record.  Now known as Sonny Knight and The Lakers, the guys have decided to share their sound with the world by releasing what might just be the best album of 2014.

The name of the album is I‘m Still Here and the music on it is hard hitting funk!  This album was recorded the way an album should be recorded, LIVE and with everybody playing together. You can hear the band feeding off each others energy on tracks like “Sonny’s Boogaloo” and “Get Up and Dance”. These guys might not have been on the scene as long as their 66 year-old front man has but they’re still seasoned pros. Label owner Foss handles the drumming duties on the record. A rock solid drummer, he keeps things steady and makes it easy for the band to fall in behind him. Songs like “Through With You” and the James Brown-esq “Juicy Lucy”, groove hard and are full of soul. The album’s strongest track might be the Stax-flavored “Hey Girl”.  Sure to please dance floors everywhere, this tune makes you wonder what Wilson Pickett would have sounded like if he had been backed by the 70’s funk band Black Heat.  Still, even with all these great players in the room, the star of the show is Sonny Knight. After only a few minutes of listening to him you can tell that this guy’s the REAL DEAL. Hopefully with the release of I’m Still Here he’ll get the attention he so rightly deserves.

SHARON JONES & THE DAP-KINGS: GIVE THE PEOPLE WHAT THEY WANT!

SJCoverArt_zpscfbb74a4580x580

GIVE THE PEOPLE WHAT THEY WANT Daptone Records

Full of raw Funk and organic Soul, Give The People What They Want might be Sharon Jones and The Dap-Kings finest hour. The album opens with the in-your-face sound of “Retreat”, the album’s first single, before flowing nicely into the Motown flavored “Stranger To My Happiness”.  On both these tunes we hear the band swinging like never before.  For all the credit we give Ms. Jones we need to also recognize the talents of her band the Dap-Kings.  Able to move effortlessly from one style of music to another, these talented musicians are a big reason this album flows so well. On the Latin infused “Long Time, Wrong Time” the band leads the way with a mellow groove reminiscent of Curtis Mayfield’s “Pusherman”.  Tasteful playing is the name of the game here and the band finds a nice groove behind Sharon’s soulful vocals. Other stand out tracks are the beautiful ballad “Slow Down, Love” and the hard driving “People Don’t Get What They Deserve” (they bust out the tympani drums for this one).  But this record is more then a collection of songs, it’s a reminder that the best things in life are worth fighting for.

In early 2012 Sharon lost her mother to cancer.  On tour when her mother passed Sharon found comfort in her music. Instead of taking a break she kept performing and began working on this album.  Shortly after the recording was complete she started experiencing some health problems  and was diagnosed with cancer herself.  Fortunately doctors caught it in time and Sharon is now cancer free!  Now with a new lease on life and album to promote she’s back and able to do what she does best… and that’s GIVING THE PEOPLE WHAT THEY WANT!

 

 

RESPECT YOURSELF: The Story of STAX Records

STAX

RESPECT YOURSELF: THE STORY OF STAX RECORDS Bloomsbury USA

Author Robert Gordon has been writing about the music of Memphis for almost 30 years. In Respect Yourself: The Story of STAX Records Mr. Gordon not only tells the story of STAX but also the story of the Civil Rights movement in Memphis.  Passionately written and meticulously researched this book takes you from the label’s meager beginnings in a garage outside Memphis to it’s bankruptcy in 1975.   Along with Mr. Gordon’s narration you hear from the people that made STAX happen, making this book one of a kind.

A LITTLE STAX HISTORY…

Started by Jim Stewart and his sister Estelle Axton in 1957, STAX Records was more then just a record label.  It was a voice in the community.  The label’s open door policy made it possible for anyone to come in off the street and set up an audition. It didn’t matter where you were from or what the color of your skin was, you were welcomed at STAX as long as you had a passion for music.

Right from the beginning STAX did things it’s own way. Segregation may have been alive and well in Memphis during the 1960’s, but that didn’t stop STAX founder Jim Stewart from hiring an African American DJ named Al Bell to be his lead promotions man.  Working together side by side Jim, Estelle, and Al turned STAX records from a little indie label into a household name!  STAX artists like Otis Redding, Booker T. & The MG’s, Carla Thomas, and William Bell put the label on the map with singles that started appearing on the R&B and Pop charts.  Money was coming in and things were really rolling, until one very dark December day in 1967…

Today many people can remember exactly where they were when they learned that the plane carrying Otis Redding and The Bar-Keys went down. Otis was the soul of STAX and the voice of soul music.  A few months later while the people of STAX were still grieving over the loss of Otis and the Bar Keys their world was rocked again.  On the evening of April 4, 1968  Dr. Martin Luther King was assassinated at the Lorraine Motel in Memphis.  Needless to say, after the assassination of Dr. King everything was different, especially in Memphis.  If all this wasn’t enough,  the label’s distributor Atlantic Records ended it’s relationship with STAX.  With it’s biggest star gone and no way to get music to the stores most label’s would have called it a day, but most labels didn’t have Al Bell.  It was then that Al and the folks at STAX hunkered down and staged one of the biggest comebacks in music history.

The early 70’s found STAX again at the top of the Soul music world. This time around STAX would reach heights that were even greater then it did in the 1960’s.  Al Bell gained full control of the label and STAX rode the success of artists like Isaac Hayes, The Emotions, Johnnie Taylor, and The Staple Singers all the way to the top of the charts.  Sadly this rebirth would be short lived as some questionable business decisions and over expatiation lead to STAX eventually having to declaring bankruptcy in 1975.

 

VISITING MEMPHIS!

Traveling to Memphis!

This past spring I had the privilege of getting to spend a few days in Memphis, Tennessee.   Let me start out by saying that I found Memphis to be a wonderful city with amazing history!  While Memphis has received a bad reputation for it’s level of crime and high homeless population at no time did I feel unsafe.  I had an excellent visit and found the locals of Memphis very friendly and helpful.   If you have any interest in American Roots music or the History of the Civil Rights movement you should start making plans to visit Memphis immediately.

MUST DO’s while in Memphis.

National Civil Rights Museum  450 Mulberry St  Memphis, TN 38103  http://www.civilrightsmuseum.org/

In my opinion to really understand the history of American roots music you need to learn about the struggle for Civil Rights in this country. Start your visit here! This beautiful museum will set the tone for the rest of your visit.  Located in the Lorraine Motel, where Dr. Martin Luther King was assassinated, the museum elegantly tells the story of the men and women that fought hard for equality in this country.  Learning about the struggle for Civil Rights will help you see why multiracial bands at Stax Records and Fame Studios were so historically significant.

Civil Rights MuseumIMG_0186

 

 

 

 

 

 

 

 

 

 

 

Stax Museum of American Soul Music 926 E. McLemore Ave. (901) 942-SOUL  www.staxmuseum.com

Possibly one of the best museums in the United States, the Stax Museum of American Soul Music tells the story of the little record label that could.  From field workers singing gospel music to the artists of today this museum leaves no stone unturned.  Also the museum doesn’t just stick to talking about Stax artists.  It covers artists from Motown, Atlantic, Chess, Duke, Goldwax (my personal favorite), and everything in-between!  You’ll see things like Issac Hayes’ car, Rufus Thomas Mater Tapes, and a recreation of the studio where Booker T. and The MG’s backed many amazing artists.  The museum has lots of interactive touch-screens and even a full on dance floor!  The staff are very knowledgeable and are dedicated to getting you the whole story of Soul music.  Keep in mind if you’re staying downtown you’ll have to take a cab, bus, or car to get here as it’s a little off the beaten path, but you’ll learn there’s a reason for that.  This museum is worth the short trip from downtown.  Only here will you’ll get the whole story of American Blues and Soul music.

IMG_0250 Stax Studio

 

 

 

 

 

 

 

 

BEALE STREET

Although it’s now pretty much a tourist trap, Beale Street should be a stop on your trip.   This is the street where so many musicians got their “start”.  W.C. Handy, B.B. King, Furry Lewis, Rosco Gordon, Rufus Thomas, Memphis Minnie, all have graced the stages of clubs here on Beale.  There is still plenty of live music here but it can be very hit or miss. Luckily, I had a chance to catch the great Dr. Feelgood Potts while I was here and he didn’t disappoint!  He and his put put on a great show and had the place jumpin’! Check him out if you get the chance!

EATING ON BEALE

Blues City Cafe 138 Beale St, Memphis TN  (901) 526-3637  http://www.bluescitycafe.com/

The one sure thing on Beale that’s around today is the restaurant Blues City Cafe.  Memphis has as many amazing restaurants as it does Blues legends and the Blues City Cafe is one of the best.  Late hours, great spices, amazing BBQ, what’s not to love?  I had some of the best Fried Catfish I’ve ever had in my life here!

Blues City

The Rock N’ Soul Museum

Located at Beale and Hwy 61 (across the street from the Gibson Guitar Factory)

This museum isn’t as essential as the Stax Museum but it’s still VERY good.  They have an amazing collection of stuff from Ike Turner’s Piano to part of a classic Southern style church.  They cover all the essentials from Gospel to today’s Soul and they have a really nice exhibit on Memphis’ own WDIA!  If you’re short on time and cant’s make it to the Stax Museum then make sure you hit this place up!  It also offers a FREE shuttle to Sun Records and is walking distance to lots of stuff in Downtown Memphis.

Another thing to do while in Memphis is vist The Memphis Cotton Exchange Museum.  Cotton was king in the American south and because the history of the Blues has so much to do with the life a sharecropper lived you really can’t pass up this museum.

There’s also Sun Records, the studio where Sam Phillips recorded Elvis, Cash, Jerry Lee, and many others.   Now don’t get me wrong, I like the Rockabilly stuff that was done at Sun Records but I’m personally more interested in the Blues that Sam Phillips recorded with his Memphis Recording Service.  Sadly there is little mention of the Blues at Sun Records today, but to be fair, most of their visitors don’t really seem to care about that.  Most of them probably aren’t even aware that Sam Phillips once called Howlin’ Wolf’s “Moanin’ at Midnight” the greatest recording he ever made.   So besides an original wax copy of Ike Turner’s “Rocket 88” there really isn’t much about the Blues here at Sun Records.  The studio is now very touristy and has a large gift shop and cafe in it.  During my visit I tried to imagine Johnny Cash taking a break from a session to shop for a Sun Records hoodie but it made me sad so I left.  However, if you’re into Rockabilly or Elvis Presley you should make this an essential part of your Memphis trip.

Some other non-essential but fun spots to see Memphis 

Al Green’s Full Gospel Tabernacle Church,

The Blues Foundation office (when they finish building their Blues museum this will become an essential stop)

West Memphis, Arkansas (The clubs in West Memphis were where musicians from Memphis went to REALLY show their stuff)

Also make sure you check out the site www.msbluestrail.org.  Here you’ll find information about the Mississippi Blues Trail and Historical markers that are set up at spots along the trail where Blues history actually happened!  There are a number of these markers around Memphis and they provide a nice overview of the city’s Blues history.

LAST BUT NOT LEAST…

CLARKSDALE, MISSISSIPPI

If you’re in Memphis, Tennessee then you’re only about 90 short minutes from Clarksdale, Mississippi.  I HIGHLY recommend taking at least a day and travel down to Clarksdale.    If you’re into Blues, Soul, Gospel, or History you will LOVE Clarksdale.  Here you will get your fill of NO FRILLS BLUES HISTORY.   There is so much to see and do in Clarksdale that I can’t list it all here.  So if you’d like suggestions about visiting Clarksdale please contact me through this blog and I’ll be in touch with you.  Keep in mind that many of the amazing clubs, shops, and museums in Clarksdale are disappearing due to the recent influx of Casinos along the Mississippi river.  So see them while you can!

Happy travels!

 

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