Born in Arkansas in 1915 Sister Rosetta Tharpe influenced Rock and Popular music more then most people know. A young Little Richard got his start by opening for her before anybody knew who he was. Elvis, Johnny Cash, and Bob Dylan all cite Sister Rosetta as a major influence, and during her heyday she performed for stadium sized crowds all over the world. In short, Sister Rosetta was a rockstar before Rock n’ Roll even existed.
Leo “Bud” Welch: SABOUGLA VOICE Big Legal Mess/Fat Possum
For Fans of: Junior Kimbrough, R.L. Burnside, The White Stripes, Rev Louis Overstreet
Guitarist Leo “Bud” Welch was born in Sabougla, Mississippi in 1932. A natural musician, Leo taught himself to play the guitar by learning songs off the radio. As soon as he built up a small repertoire he began performing at parties and local juke-joints. Unfortunately work as a musician was inconsistent and even though he was incredibility talented he was unable to make a living playing music. In order to make ends-meet Leo ended up taking a job as a logger and had to resort to playing music only when he had free time. Then in 1975 Leo switched from playing Blues to playing Gospel. He started performing in churches all over Mississippi and even began hosting a local Gospel Television show. Even though he now considered himself a Gospel musician he still kept in touch with the local Blues scene. As time went on he heard that Blues musicians like Junior Kimbrough were having late-in-life success working with Fat Possum Records. Inspired by this he called up the label and requested an audition. Label owner Bruce Watson agreed to hear Leo play and ended up signing him on the spot. Now thanks to the good people at Fat Possum and Big Legal Mess Records the world finally gets to hear one of the treasures of Mississippi, guitarist Leo Welch.
The album is called Sabougla Voices and the music on it is honest no-frills Mississippi Gospel. Throughout the albums ten tracks Leo’s plays the guitar with the energy of someone half his age. Songs like “Praise His Name” and “You Can’t Hurry God” are upbeat and show us the lines between Blues and Gospel are blurry at best. In fact, if you were to change a few lyrics, these songs could easily be for Saturday night instead of Sunday morning. Another standout track on the record is the acoustic “Me and My Lord”. Sounding a little like Pops Staples, Leo does call and response with his backup singers while playing acoustic guitar. This song is given an extra push by Leo’s backing band which shows it’s professionalism by settling into a nice groove and not over playing.
Even though all of the music on Sabougla Voices is solid, the album’s strongest track is easily the slow and eerie blues tune “A Long Journey”. Beautifully recorded, this song is about accepting the fact that death is part of life. That being said, hopefully Leo will be still be around for a long time as he deserves to enjoy every minute of his new found success! He’s got gigs booked across the U.S. this summer and is even scheduled to perform in Europe! Not bad for someone that at one point had to turn down an audition with B.B. King because he couldn’t afford to travel to Memphis. This album is excellent and belongs in your collection.
RESPECT YOURSELF: THE STORY OF STAX RECORDS Bloomsbury USA
Author Robert Gordon has been writing about the music of Memphis for almost 30 years. In Respect Yourself: The Story of STAX Records Mr. Gordon not only tells the story of STAX but also the story of the Civil Rights movement in Memphis. Passionately written and meticulously researched this book takes you from the label’s meager beginnings in a garage outside Memphis to it’s bankruptcy in 1975. Along with Mr. Gordon’s narration you hear from the people that made STAX happen, making this book one of a kind.
A LITTLE STAX HISTORY…
Started by Jim Stewart and his sister Estelle Axton in 1957, STAX Records was more then just a record label. It was a voice in the community. The label’s open door policy made it possible for anyone to come in off the street and set up an audition. It didn’t matter where you were from or what the color of your skin was, you were welcomed at STAX as long as you had a passion for music.
Right from the beginning STAX did things it’s own way. Segregation may have been alive and well in Memphis during the 1960’s, but that didn’t stop STAX founder Jim Stewart from hiring an African American DJ named Al Bell to be his lead promotions man. Working together side by side Jim, Estelle, and Al turned STAX records from a little indie label into a household name! STAX artists like Otis Redding, Booker T. & The MG’s, Carla Thomas, and William Bell put the label on the map with singles that started appearing on the R&B and Pop charts. Money was coming in and things were really rolling, until one very dark December day in 1967…
Today many people can remember exactly where they were when they learned that the plane carrying Otis Redding and The Bar-Keys went down. Otis was the soul of STAX and the voice of soul music. A few months later while the people of STAX were still grieving over the loss of Otis and the Bar Keys their world was rocked again. On the evening of April 4, 1968 Dr. Martin Luther King was assassinated at the Lorraine Motel in Memphis. Needless to say, after the assassination of Dr. King everything was different, especially in Memphis. If all this wasn’t enough, the label’s distributor Atlantic Records ended it’s relationship with STAX. With it’s biggest star gone and no way to get music to the stores most label’s would have called it a day, but most labels didn’t have Al Bell. It was then that Al and the folks at STAX hunkered down and staged one of the biggest comebacks in music history.
The early 70’s found STAX again at the top of the Soul music world. This time around STAX would reach heights that were even greater then it did in the 1960’s. Al Bell gained full control of the label and STAX rode the success of artists like Isaac Hayes, The Emotions, Johnnie Taylor, and The Staple Singers all the way to the top of the charts. Sadly this rebirth would be short lived as some questionable business decisions and over expatiation lead to STAX eventually having to declaring bankruptcy in 1975.
Traveling to Memphis!
This past spring I had the privilege of getting to spend a few days in Memphis, Tennessee. Let me start out by saying that I found Memphis to be a wonderful city with amazing history! While Memphis has received a bad reputation for it’s level of crime and high homeless population at no time did I feel unsafe. I had an excellent visit and found the locals of Memphis very friendly and helpful. If you have any interest in American Roots music or the History of the Civil Rights movement you should start making plans to visit Memphis immediately.
MUST DO’s while in Memphis.
National Civil Rights Museum 450 Mulberry St Memphis, TN 38103 http://www.civilrightsmuseum.org/
In my opinion to really understand the history of American roots music you need to learn about the struggle for Civil Rights in this country. Start your visit here! This beautiful museum will set the tone for the rest of your visit. Located in the Lorraine Motel, where Dr. Martin Luther King was assassinated, the museum elegantly tells the story of the men and women that fought hard for equality in this country. Learning about the struggle for Civil Rights will help you see why multiracial bands at Stax Records and Fame Studios were so historically significant.
Stax Museum of American Soul Music 926 E. McLemore Ave. (901) 942-SOUL www.staxmuseum.com
Possibly one of the best museums in the United States, the Stax Museum of American Soul Music tells the story of the little record label that could. From field workers singing gospel music to the artists of today this museum leaves no stone unturned. Also the museum doesn’t just stick to talking about Stax artists. It covers artists from Motown, Atlantic, Chess, Duke, Goldwax (my personal favorite), and everything in-between! You’ll see things like Issac Hayes’ car, Rufus Thomas Mater Tapes, and a recreation of the studio where Booker T. and The MG’s backed many amazing artists. The museum has lots of interactive touch-screens and even a full on dance floor! The staff are very knowledgeable and are dedicated to getting you the whole story of Soul music. Keep in mind if you’re staying downtown you’ll have to take a cab, bus, or car to get here as it’s a little off the beaten path, but you’ll learn there’s a reason for that. This museum is worth the short trip from downtown. Only here will you’ll get the whole story of American Blues and Soul music.
Although it’s now pretty much a tourist trap, Beale Street should be a stop on your trip. This is the street where so many musicians got their “start”. W.C. Handy, B.B. King, Furry Lewis, Rosco Gordon, Rufus Thomas, Memphis Minnie, all have graced the stages of clubs here on Beale. There is still plenty of live music here but it can be very hit or miss. Luckily, I had a chance to catch the great Dr. Feelgood Potts while I was here and he didn’t disappoint! He and his put put on a great show and had the place jumpin’! Check him out if you get the chance!
EATING ON BEALE
Blues City Cafe 138 Beale St, Memphis TN (901) 526-3637 http://www.bluescitycafe.com/
The one sure thing on Beale that’s around today is the restaurant Blues City Cafe. Memphis has as many amazing restaurants as it does Blues legends and the Blues City Cafe is one of the best. Late hours, great spices, amazing BBQ, what’s not to love? I had some of the best Fried Catfish I’ve ever had in my life here!
The Rock N’ Soul Museum
Located at Beale and Hwy 61 (across the street from the Gibson Guitar Factory)
This museum isn’t as essential as the Stax Museum but it’s still VERY good. They have an amazing collection of stuff from Ike Turner’s Piano to part of a classic Southern style church. They cover all the essentials from Gospel to today’s Soul and they have a really nice exhibit on Memphis’ own WDIA! If you’re short on time and cant’s make it to the Stax Museum then make sure you hit this place up! It also offers a FREE shuttle to Sun Records and is walking distance to lots of stuff in Downtown Memphis.
Another thing to do while in Memphis is vist The Memphis Cotton Exchange Museum. Cotton was king in the American south and because the history of the Blues has so much to do with the life a sharecropper lived you really can’t pass up this museum.
There’s also Sun Records, the studio where Sam Phillips recorded Elvis, Cash, Jerry Lee, and many others. Now don’t get me wrong, I like the Rockabilly stuff that was done at Sun Records but I’m personally more interested in the Blues that Sam Phillips recorded with his Memphis Recording Service. Sadly there is little mention of the Blues at Sun Records today, but to be fair, most of their visitors don’t really seem to care about that. Most of them probably aren’t even aware that Sam Phillips once called Howlin’ Wolf’s “Moanin’ at Midnight” the greatest recording he ever made. So besides an original wax copy of Ike Turner’s “Rocket 88” there really isn’t much about the Blues here at Sun Records. The studio is now very touristy and has a large gift shop and cafe in it. During my visit I tried to imagine Johnny Cash taking a break from a session to shop for a Sun Records hoodie but it made me sad so I left. However, if you’re into Rockabilly or Elvis Presley you should make this an essential part of your Memphis trip.
Some other non-essential but fun spots to see Memphis
Al Green’s Full Gospel Tabernacle Church,
The Blues Foundation office (when they finish building their Blues museum this will become an essential stop)
West Memphis, Arkansas (The clubs in West Memphis were where musicians from Memphis went to REALLY show their stuff)
Also make sure you check out the site www.msbluestrail.org. Here you’ll find information about the Mississippi Blues Trail and Historical markers that are set up at spots along the trail where Blues history actually happened! There are a number of these markers around Memphis and they provide a nice overview of the city’s Blues history.
LAST BUT NOT LEAST…
If you’re in Memphis, Tennessee then you’re only about 90 short minutes from Clarksdale, Mississippi. I HIGHLY recommend taking at least a day and travel down to Clarksdale. If you’re into Blues, Soul, Gospel, or History you will LOVE Clarksdale. Here you will get your fill of NO FRILLS BLUES HISTORY. There is so much to see and do in Clarksdale that I can’t list it all here. So if you’d like suggestions about visiting Clarksdale please contact me through this blog and I’ll be in touch with you. Keep in mind that many of the amazing clubs, shops, and museums in Clarksdale are disappearing due to the recent influx of Casinos along the Mississippi river. So see them while you can!
Preachin’ The Blues: The Life and Times of Son House
Written by historian Daniel Beaumont, Preachin’ The Blues: The Life and Times of Son House provides a well researched, in-depth look at the life of one of the most important figures in Blues history – Eddie “Son” House. Born in 1902 in Lyon, Mississippi, Son House grew up very involved in the church and didn’t embrace the Blues until 1927 when he heard a guitar player at a house party. Moved by the sound this guitar player was getting out of his instrument with the use of a bottleneck slide, House decided to pick up the guitar and start playing the Blues. Starting out by performing at parties, Son House grabbed the attention of those in attendance with his larger-than-life voice and commanding guitar strumming style. It was performances like this in the 1930’s that would inspire and help shape the playing style of both Robert Johnson and Muddy Waters. Even now the music of Son House is still inspiring musicians. Artists such as The Black Keys and The White Strips both cite Son House as a major influence on their careers. But Preachin’ The Blues… doesn’t just focus on Son House the musician. Son was many things in his life – a preacher, a farmer, a husband, even a murderer. Needless to say, his complex life gave him much subject matter to sing about.
While many books on the History of the Delta Blues include information on Son House, there really hasn’t been a book that dives this deep into his individual story. One of the main reasons for this is probably because large sections of House’s life are a complete mystery. Only one copy of the first recordings Son House made for the Paramount Record label in 1930 has ever been found. Even interviews that House himself gave after being rediscovered by three college-age blues fans in the early 60’s were sometimes hard to decipher. During these interviews House would occasionally mix up dates and times from his own life. Taking all of these factors into account, it isn’t a surprise that the name Son House isn’t really know beyond serious music fans. Hopefully, this book will change that.