Preachin’ The Blues: The Life and Times of Son House
Written by historian Daniel Beaumont, Preachin’ The Blues: The Life and Times of Son House provides a well researched, in-depth look at the life of one of the most important figures in Blues history – Eddie “Son” House. Born in 1902 in Lyon, Mississippi, Son House grew up very involved in the church and didn’t embrace the Blues until 1927 when he heard a guitar player at a house party. Moved by the sound this guitar player was getting out of his instrument with the use of a bottleneck slide, House decided to pick up the guitar and start playing the Blues. Starting out by performing at parties, Son House grabbed the attention of those in attendance with his larger-than-life voice and commanding guitar strumming style. It was performances like this in the 1930’s that would inspire and help shape the playing style of both Robert Johnson and Muddy Waters. Even now the music of Son House is still inspiring musicians. Artists such as The Black Keys and The White Strips both cite Son House as a major influence on their careers. But Preachin’ The Blues… doesn’t just focus on Son House the musician. Son was many things in his life – a preacher, a farmer, a husband, even a murderer. Needless to say, his complex life gave him much subject matter to sing about.
While many books on the History of the Delta Blues include information on Son House, there really hasn’t been a book that dives this deep into his individual story. One of the main reasons for this is probably because large sections of House’s life are a complete mystery. Only one copy of the first recordings Son House made for the Paramount Record label in 1930 has ever been found. Even interviews that House himself gave after being rediscovered by three college-age blues fans in the early 60’s were sometimes hard to decipher. During these interviews House would occasionally mix up dates and times from his own life. Taking all of these factors into account, it isn’t a surprise that the name Son House isn’t really know beyond serious music fans. Hopefully, this book will change that.