For fans of: Sam Cooke, Otis Redding, The Temptations
Sounding like it was written and recorded in 1960, Leon Bridges’ debut album COMING HOME might be one of 2015’s best releases. Sometimes referred to as “Sam Cooke reincarnated”, Leon Bridges didn’t actually start listening to Sam Cooke’s music until fairly recently. A fan of modern soul artists like Usher and Ginuwine it wasn’t until someone compared one of his songs to the music of Cooke that Leon decided he needed to go back and listen to the classics. Inspired by the legendary soul artists he was discovering, Leon moved away from the electronic beats he was using to create songs and took a more organic approach to songwriting. After working up some new material Leon hit the Fort Worth music scene hard. Performing for anyone that would listen, his first real break in 2014 when he was approached by White Denim guitarist Austin Jenkins. Jenkins was so impressed with Leon’s performance that he insisted the two of them make a record together. A few weeks later the the duo of Jenkins and Bridges were hard at work in the studio writing songs for what would become Leon’s debut album. Now with a record to promote Leon will hit the road this summer playing shows on both sides of the Atlantic. Not bad for a kid from Fort Worth, Texas who just over a year ago was washing dishes and playing to a crowd of five people in a Texas dive bar.
COMING HOME ALBUM REVIEW
Clocking in at just under 35 minutes COMING HOME is a breath of fresh air for today’s soul music scene. The songs are simple, but well-crafted and the musicianship is solid but not ridged. If fact, part of the reason this album flows so well is because Leon and the band don’t try to do too much. A perfect example of this is the blues-boogie track “Flowers”. Here the band let’s the groove do the talking as they swing hard over Leon’s smooth vocals. In fact, Leon doesn’t really scream or shout throughout the entire album. A self-proclaimed “smooth cat”, he keeps things smooth and soulful, always serving the music and not over powering song. Another stand out track is the Motown-esq “Smooth Salin”. An upbeat dance number, “Smooth Sailin” is stuck somewhere between early Marvin Gaye and Wilson Pickett. Again, Leon’s vocals perfectly serve the song as they coast smoothly over the tune’s driving back-beat. Definitely the album’s most danceable number, this song is surely going to be a hit when performed live. Still, even though the music on COMING HOME is mostly upbeat, the album’s finest moments are the slower gospel-soul tracks. The soul-gospel ballad, “River” is by far the the best song on the album. A beautiful song about life reflection and being honest with yourself, this song is a perfect way to close out the album. Reminiscent of Sam Cooke’s “A Change Gonna Come”, Leon Bridges’ “River” is his defining moment.
All this being said, if there’s one complaint I have about COMING HOME it’s that sometimes Leon sounds a little too much like his influences. Songs like “Brown-Skin Girl” and “Twistin’ and Groovin” sound almost like they could be Sam Cooke b-sides. While some might think that’s not a bad problem to have, I personally feel that Leon’s too talented to become a Sam Cooke cover act. Also, some of the videos that he’s filmed for the album almost look like they could be part of a Sam Cooke or Otis Redding documentary. While I’m sure that his label has a lot to do with this, I think that Leon will really begin to shine when he finds his own sound. Think about it this way, artists like Ray Charles, Otis Redding, Aretha Franklin, and Sam Cooke all started out trying to copy their influences. It was when they found their own voice that they became legendary artists and had successful careers. I’m suspect that in time Leon will find his too. It’s obvious that this young man is incredibly talented and has the drive to really make a run at stardom. He’s written an excellent album and released it at a time when soul music really needs someone like him. Here’s hoping he stays the course and we hear about him for years to come.