BETTY HARRIS: THE LOST QUEEN OF NEW ORLEANS SOUL

 Soul Jazz Records 

For fans of James Brown, Irma Thomas, Tina Turner, and The Meters

When you think of the greatest Soul singers of all time you probably don’t think of the name Betty Harris. Despite being as talented as superstars like Tina Turner and Etta James, Ms. Harris isn’t a household name. During the 1960’s she only released a handful of singles and only a few of those became hits. She then retired in 1970 to focus on her family. While her music has become very popular among Soul record collectors and aficionados over the years, it has never reached a mass audience. Fortunately the good folks at Soul Jazz Records are trying to change that with their recent release, BETTY HARRIS: THE LOST QUEEN OF NEW ORLEANS SOUL!

THE BEGINNING

Born in Orlando FL, in 1941 (or possibly 1939) Ms. Harris started out singing gospel music when she was very young. Part of a very religious family, Harris wasn’t allowed to sing secular music while under her parent’s roof. She left home in her late teens to perform Blues and Soul music in California. After several years on the West Coast she moved to New York City where she hooked up with songwriter/producer Bert Berns. In 1963 she recorded her first hit, “Cry To Me”, a slow rendition of a tune singer Solomon Burke had recorded a year earlier. The song became a big hit for Harris and actually surpassed Burke’s original recording on the national charts! The success of “Cry To Me” inspired a few more releases from the Berns/Harris team including a fiery number called “Mo Jo Hannah”. Unfortunately none of these other recordings because hits and Burns and Harris went their separate ways.

WORKING WITH ALLEN TOUSSAINT

Shortly after her relationship with Burt Berns ended Harris met master Musican/Songwriter Allen Toussaint and began recording for his New Orleans based record label Sansu. Even though only one of the singles she recorded for Sansu charted nationally, the recordings she made while at the label are classic and make up the material on BETTY HARRIS: THE LOST QUEEN OF NEW ORLEANS SOUL. The music on this compilation is all killer-no-filler and ranges from classic R&B to HARD FUNK ! Songs like “There’s A Break In Every Road” and “12 Red Roses” are so funky you can smell ’em and the balled “Lonely Hearts” is greasier then a plate of food from a Louisiana Bayou Fish Fry! While it’s Harris’ larger-then-life vocals that command the most attention on these songs we must also note that the backing band is made up of some of New Orleans’ finest musicians, including the legendary Funk group, The Meters. Like the Funk Brothers at Motown or Booker T. & The MG’s at STAX, The Meters are as important to the recording as the artist they are supporting. Finally, we must acknowledge that none of these recordings would’ve been possible without master musician/producer Allen Toussiant behind the board. Not only do his talents as a producer take these recordings to another level, he also wrote all of these songs!

THE BOTTOM LINE

BETTY HARRIS: THE LOST QUEEN OF NEW ORLEANS SOUL is an excellent compilation of Harris’ Sansu recordings. Even though there are other compilations that go a bit deeper into her career this one hits all the main points and is a must have for FUNK loving fans.

 

SHARON JONES & THE DAP-KINGS: GIVE THE PEOPLE WHAT THEY WANT!

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GIVE THE PEOPLE WHAT THEY WANT Daptone Records

Full of raw Funk and organic Soul, Give The People What They Want might be Sharon Jones and The Dap-Kings finest hour. The album opens with the in-your-face sound of “Retreat”, the album’s first single, before flowing nicely into the Motown flavored “Stranger To My Happiness”.  On both these tunes we hear the band swinging like never before.  For all the credit we give Ms. Jones we need to also recognize the talents of her band the Dap-Kings.  Able to move effortlessly from one style of music to another, these talented musicians are a big reason this album flows so well. On the Latin infused “Long Time, Wrong Time” the band leads the way with a mellow groove reminiscent of Curtis Mayfield’s “Pusherman”.  Tasteful playing is the name of the game here and the band finds a nice groove behind Sharon’s soulful vocals. Other stand out tracks are the beautiful ballad “Slow Down, Love” and the hard driving “People Don’t Get What They Deserve” (they bust out the tympani drums for this one).  But this record is more then a collection of songs, it’s a reminder that the best things in life are worth fighting for.

In early 2012 Sharon lost her mother to cancer.  On tour when her mother passed Sharon found comfort in her music. Instead of taking a break she kept performing and began working on this album.  Shortly after the recording was complete she started experiencing some health problems  and was diagnosed with cancer herself.  Fortunately doctors caught it in time and Sharon is now cancer free!  Now with a new lease on life and album to promote she’s back and able to do what she does best… and that’s GIVING THE PEOPLE WHAT THEY WANT!